An Encounter With Prometheus

‘To us it seems that Hermes’ speech is to the point.
What he commands to you is to relax from your
self-will and seek the wisdom that’s in good advice.
Do as he says, since wrong is shameful in the wise.’
Prometheus Bound

Laid flat-out in an ambulance, speeding toward hospital, spouting leads like the Hydra and uncertain data pinging its way to Mission Control is surreal. Like Major Tom, I’m in a tin can and there’s’ something wrong.

The kindly cardiologist, somehow redolent of Atticus Finch, leans in and mashes a Xmas platitude with diagnosis. ‘Season’s greetings you’ve had a heart attack.’ And now Billy T tells me, ‘We’re gonna anaethis…anesthize…emphas…we’re gonna make your wrist numb and put in a coupla stents. All right bro?’

I nod gratefully as I’ve found the wisdom that’s in good advice. My self-will has never been so relaxed. I wonder if the surgeon’s name is Victor and he has an assistant, Igor. And are they having a James Whale of a time?

Yes. I’ve seen that movie too. But never thought I’d be starring in it. It is surreal. It still is. Luis Buñuel directs Shortland Street perhaps. I don’t have a bolt through my neck and a forehead like Kelsey Grammer but I am made of clay – especially my feet. Prometheus saw to that.

Splat

 

Age of Consent

You’re going to have to do some of the work here
Imagine these words stretching out an inviting hand toward you
The muscles in the forearm taut, the ribs all but puncturing the skin
And the legs aligned, in unison with the beckoning arm
Imagine these words, then as..who?  Lolita perhaps. On the back lawn
Offering their innocence, their knowingness….their halting occlusion
Are you tempted to read on? Risk all for the knowingness?
Have knowledge of these words? Betray the innocence?

I see you are discomfited by my phraseology
Which has assumed Rubenesque proportions due to your work ethic
Your lewd imagination that Humbert would disdain
If he discovers that you’ve had your way with my words….
Well, you know what happened to Quilty, don’t you?
So be less attentive, dissemble. Let the words stay at arm’s length
Look askance at them. Allow them to wander coolly into your ambit
Put on your sunglasses so the words may not see the lust in your eyes.

Splat

 

Hey Jude – Blood Pressure No. 8

Hey Jude, don’t take it bad
That caucus can’t be much wetter
Remember that payback gladdens your heart
Then you can start to make it better

Hey Jude, don’t be afraid
You can still use that old Beretta
Nek minnit you’re doing all of them in
Then you begin to make it better

And anytime you feel the pain, hey Jude, retain
The means to shred all of your folders
For well you know that it’s a fool who keeps them all
Feeley and SFO will weigh upon your shoulders
Nah nah nah nah nah nah nah nah nah

Hey Jude, you’re going down
You should write Cam a real short letter
And tell him you’re gonna tear him apart
Then you can start to make it better

So now you’re out and cannot win, hey Jude, begin
You’re wanting someone to align with
And don’t you know Winnie won’t do, hey Jude, there is a queue
To cut your head off from your shoulders

Hey Jude, don’t take it bad
You’re just like Di but only better
Remember ambition isn’t a sin
Then you’ll begin to make it
Better better better better  better better

Splat

 

Elegy For A Poor Boy

In his cups, he had noted that many years ago, he once knew what it is to be poor
But that now, he knows only what it means to be poor
The intervening decades having evidenced the probity of Uncle Karl’s dictum That
Only The Working Class May Move Freely Through The Class System

His early experience had rather shown the opposite to be the case
His family, his neighbours, his street, his teachers, his school, his friends
And the Anglo-Catholic Church personified by Father O’Byrne all telling him
That
He should be happy in his lot – with new, improved Serf

But he studied hard and learned how to be patronised by lessers with more
Became something in the City without ever becoming someone else in the City
A man about town doing business with men from Tudor facades out of town
Who
Liked to call him a man abeout teown and let him hear the great divide

He fell under the influence of socialists. Not the flat hat and wire glasses sort
But the sort with Orwell paperbacks and a light burning permanently in the eye
The sort who went on marches and delivered pamphlets late at night
Who
Wanted to own the means of production and distribution
(They even wanted to democratise the armed forces!)

Barry – gentle, brutal Barry – revealed to him the mysteries of the Class System
Being both as poor as a church mouse and middle class is not a contradiction
Class is not necessarily linked to wealth and possessions, he pronounced
But
If you trail the English bourgeois, you’ll soon learn how to get the best for less

So he took the lesson. Or rather, the bits that suited. And moved on
Mostly because Joe Stalin was not a Good Companion and JB Priestly was
He came to believe that any revolution should be the product of need, not guilt
And
History is a raging inferno that has many poor boys pissing on it

Splat

 

 

 

 

The Shadow Of Your Smile

Blatting along State Highway One with the window down
And Sympathy for the Devil loud enough to slow down the oncoming traffic
My sunnies impertinently reflecting the world back at itself
My pouty lips forming a post-irony smile
This is my favourite pose  À la recherche du temps perdu

But I’m old enough to know better, old enough to know better
Which makes it all the more fun and frees up the space for
The post-irony smile. Pouting with Proust and Mick
As the Accord, d’accord, behaves its way down the highway
Searching everywhere yeah yeah yeah searching everywhere

The left arm feels better, looks better if the window is all the way down though
Looks damn silly with the window halfway down
Looks like I’m trying to get out and the post-irony will be lost
On the ambulance crew, the cops and the rubberneckers
He was a day tripper, one way ticket yeah

It took me so long to find out, I found out
That I have to hold the pose long enough
For the world to see who I am
My pouty lips forming a post-irony smile
This is my favourite pose À la recherche du temps perdu

Splat

 

Let Another One In – Gospel Song For Wavering Atheists

If I’m ever standing up at the pearly gates
I’ll need to speak to Peter but not in front of my mates
When it comes to contrition, don’t know where to begin
But can you please ask the Lord and let another one in?

Oh Lord I’m sorry ’bout my sinnin’
The whiskey, wine and women
I need a new beginnin’
So let another one in

Hey Pete, I said some things I never shoulda said
’bout science being God and there’s nothing once you’re dead
But just lately I’ve a feeling my conviction’s wearing thin
So can you please ask the Lord to let another one in?

Oh Lord I’m sorry ’bout my disbelievin’
The lying and the thievin’
But can’t you see I’m grievin’
And let another one in?

So hear me Peter, I really think I’ve made my case
Won’t you please help this sinner reach a state of grace?
I don’t have a doubt now ’bout original sin
So won’t you please ask the Lord to let another one in?

Oh Lord I’m sorry ’bout the Marx and the Lenin
All these bets I’ve been hedgin’
But can’t you see I’m beggin’
And let another one in?
Please let another one in
Yes another one in
Please let me in.

Splat

Hitting The Wall – Movie Review

Editors-Pick-The-Spy-Who-Came-in-From-The-Cold

I got hold of a crisp new print of Martin Ritt’s 1965 Cold War movie just recently and watched it last week. Based on John le Carré’s novel written two years earlier and starring Richard Burton and Claire Bloom, it is compelling viewing. I should say that I’ve never really been an admirer of Burton but his reading of Alec Leamas,  an MI6 agent, is brilliantly achieved and ultimately moving. His performance has clung to me and convinces me to write.
Leamas is station chief in West Berlin where things have not been going well. The story begins with Leamas awaiting the return of one of his spies from the East. Although nothing is said, the stark, rain-swept streets around Checkpoint Charlie reflect the glistening desperation in Leamas’s eyes and we know this scene isn’t going to end well.
Soon, Leamas is back in London where subtle, powerful men have designed a dense plot to discredit Mundt, the East German spymaster who is the cause of Leamas’s desperation. Leamas has to create a convincing cover story so that he can credibly defect to the East and spread disinformation, once accepted as genuine.
I will not dwell on the plot any longer, having given the gist of it, so that any reader encouraged to watch the movie will still have many tunnels of this psychological and political labyrinth to explore. Suffice to say that Leamas encounters ingénues, ideologues, thugs, traitors and much else before he comes face to face with the Berlin Wall again.
Throughout, Ritt’s direction and Burton’s acting are designed to incrementally reveal the layers of Leamus’s history and character as he tries, in turn, to finesse or bludgeon his way through the historical and present layers of treachery and deceit that inform his world. That we are never told – but only shown –  how this story unfolds, is a lasting tribute to the director and actors of this fine film. I commend it to you without reservation.

Splat

Author’s Note
It occurred to me that there are some similarities between this film and the work of John Sayles. The numerous sub-texts examine personal, professional, political, local, national and international relations and boundaries. The lies that we tell serve only to guide us toward a universal truth in our quest for identity. Complex stuff.

A Wolf In A Drab’s Clothing. Movie Review

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‘The Wolf of Wall Street’ (2013) might have been the first mainstream pornographic masterpiece. The story of Jordan Belfort’s adventures and misadventures in the greedy 80s needed its protagonist to be a hard core Gulliver adrift in a sea of sexual and sensory excess. It needed the decadence to be graphic and real. We needed to see the labia and the epithelium. We needed to feel the pain and pleasure of drug-fuelled coitus. We needed to see the degradation and desperation of the unemployed and the evicted as The Wall Street gluttons gorged themselves on anything and anybody within reach. ‘La Grande Bouffe’ meets ‘Wall Street’ meets ‘Boogie Nights; meets ‘Fear and Loathing’ in a private booth with a box of tissues nearby.

It needed an Andy Warhol or a Kenneth Anger to deliver on its orgiastic promise. Instead we got a jaded Martin Scorsese. And we got naked women but no naked men. No courage and no conviction. Hollywood production code morality. ‘Cunt’ and ‘cock’ in the script but not on the screen – except some long-shot pudenda – and I use ‘pudenda’ deliberately – because it was a shame. A great shame. And so the sex scenes and nudity seemed merely arbitrary, gratuitous and therefore, embarrassing. More embarrassing than those in ‘The Matrix Reloaded’. Especially the gay orgy which seemed to be in the movie for no other reason than it could be. Or maybe because Martin thought he was making a black comedy.

There are, of course, a few whizz bangs. Di Caprio’s selling hype to his assembled sales force and a sea storm enveloping the Wolf’s luxury cruiser are well managed and memorable. Most of it though, is predictable and boring. If you’ve seen ‘Scarface‘, ‘Blow’ and the movies mentioned earlier, you’ve seen it before and you’ve seen it done better. Scorsese’s powers are failing. ‘Shine A Light’ and ‘Shutter Island’ and now this. Even the soundtrack sucks. A lazy collection of mostly blues standards and random covers that bear no particular relation to place, time or action. Slick editing just means the lumps of disappointment don’t choke you.

Splat

1971

Are you a catholic?

It had been a time from hell. My life had changed in ways I could never have imagined possible only six months earlier. I was adrift and now, supposedly, recovering from the figurative and physical surgery of recent weeks.
The afternoon, autumn sun filled the hospital day room and I shielded my eyes so as to lend features to the silhouetted figure stood before me now.

Are you a catholic?

It was the young priest I’d seen a few times before. Thin, pale and nervous, he reminded me of David Warner as Master Blifil in ‘Tom Jones’. I wondered if his piety, like Blifil’s, was a cover for a more secular purpose. Used to rejection, he adopted a defensive crouch and continued.

Are you a catholic? Because if you are, I’d very much like to talk to you. May I sit next to you?
Well educated then. ‘May I’ and not ‘Can I’

Sit down Father. Be my guest. I’m Alan Stuart.
I offered my hand which he accepted gratefully and then sat on the bentwood chair next to mine. His timid smile somehow implied my knowledge of – and complicity in – his awkwardness. I leaned toward his smile and raised an eyebrow in query.

I’m Father Byrne. I’m attached to Catholic Social Services at present. We visit hospitals, rest homes and the like. Make contact with those of the faith….give comfort, support – mostly spiritual you understand….some material assistance too…I have…

Father, I should tell you that I’m not a church-goer. Not a worshipper. I was raised in the church, yes, but the best you could say is that I’m lapsed, apostate. The worst, well, the worst….. the worst would require a confessional and that would be a paradox, wouldn’t it?

The conspiratorial smile again. He knew I was testing him. Probably figured that I was at odds with the world too. Professionally sentient. And my cynicism was infinitely preferable to the open hostility he frequently met. I remembered watching him try to get the thin end of his wedge under Pat – who was in the neighbouring bed back in the ward. Pat was in his 60s and had quite a history. He’d run off to France in his early teens and joined the French Foreign Legion. But he was no Beau Geste. He’d fought the Viet Minh at Dien Bien Phu in 1954. He’d avoided capture and lived in the jungle, existing on rats, snakes and dogs for a month before making his way to Laos and back to France. Pat had suffered malaria, dysentery and god knows what else – and for the last few years had had his head down a bottle. He was capable of philosophy but, like many professional soldiers, he had no faith and he gave Father Byrne a well-seasoned serving of soldierly invective. And the fingers.

Paradox. Yes. Very droll. But you still consider penitence as an option, yes?

If I get married, have children that need baptizing or need absolution when I’m moving on, I imagine that the church will be pragmatic enough to see the sincerity of my penitence. I returned his we both know how this goes smile.

He blinked at me and then contemplated his shoes for a few moments. Maybe he was considering Pat to be a more likely option after all.
Well, as I was about to say – we can offer material support too. Do you smoke? I have some cigarettes I can give you. Would you like some cigarettes?

Yes I do. I pointed to where Pat was sitting, playing cards. But he’d appreciate a hand out more than me I think. He’s on the bones of his arse, so a packet of Freemans would come in handy.

I can’t do that I’m afraid. He’s not a catholic. I can only offer assistance to catholics. I can only give these cigarettes to catholics. You’re a catholic.

I took the proffered cigarettes from him and put them in my pocket. I resisted the urge to walk across the room and give Pat the cigarettes there and then. I shook Father Byrne’s hand and asked him if he would bring a bottle of Black Label next time. The smile again –  but leavened with a little ruefulness this time I fancied.
Yes. I’m a catholic.

Splat

 

 

 

 

IDOL

Enviable poise. That’s your face to the world
And it needs to be
Since you are more beguiled than beguiling with your words
That elbow their way into the audience
And jostle for a place to sit
Not too easily but not uncomfortably either
Rhetoric and tonic
As the sun goes over the yardarm

Suitably dressed. Clothes maketh man
And they need to
Since you are more artful than artless with your appearance
Which otherwise might be diaphanous
A strand of gossamer
Clinging to a vine planted to catch the sun
Fission and fashion
While your shadow lengthens

‘Straight as’ personified. Sine qua non
And you need to be
Since you speak more than you are bespoke
Troubled more than tailored
A paragon whose virtue
Was long since lost
Hubris and honour
As the sun sets

Splat