‘Promising Young Woman’ (Emerald Fennell 2020) is a piece of work. The narrative charges into the china shop of Me Too, betrayal, identity crisis, obsession and revenge., leaving us to ponder if we really want, or need, to pick up the pieces. The visual style is redolent of Lynch, Verhoeven and Hitchcock – the framing lingers on its subjects, the colours are vivid, the domestic interiors belong to lives that are ordered, predictable yet somehow otherworldly. The contrast between comfortable certainty and uninvited darkness is Fennell’s playground. The first time director has a well chosen cast who manage their lines like thy were precious cargo. Carey Mulligan, most likely in the role of her career, delivers a character that fuses Joyce with Euripides. Loyalty beyond death conveyed without artifice but with a knowledge and passion that is astonishing. A must see.